ONCE UPON A TIME WHEN LONELINESS WAS A SIN

“The Lobster” is a palate cleanser in a world of neatly developed sci-fi and underwhelming love stories. The story of a world where singlet...

“The Lobster” is a palate cleanser in a world of neatly developed sci-fi and underwhelming love stories. The story of a world where singletons are sent to a hotel where they need to find a mate in a specified time period or be turned into a beast of their choosing is refreshing in its utter disregard for emotions. Colin Farrell’s pot-bellied David is a dead-pan tour de force whose tragicomic everyday snippets of the life in the hotel breathe life into the otherwise inconceivably strange world. The humour with which the ironic jokes about the ridiculousness of their world are delivered is so incredibly pitch black that you almost feel embarrassed for laughing at them.  Nevertheless, there is a sense of utter sadness trickling through the impenetrably emotionless facade. To many, middle-aged dating might seem to be a similarly dismal “life or death” situation as it is for the cast of “The Lobster”. Thus, even though the characters make themselves have the emotional range of a stone statue, the film still manages to reflect on the vulnerability hidden deep in the human psyche.



The little flights of fancy in the form of haphazardly placed flamingos and peacocks offer absurdist relief. Despite that, “The Lobster” is no Dali – the surreal embellishments are all tightly bound to the plot and never take flight on their own. Nevertheless, “The Lobster” is film like no other which offers a refreshingly novel mix of sci-fiesque romantic satire. The blend of different genres might not necessarily work for viewers with expectations which fit into certain genre conventions, as it is placed uncomfortably between traditional tropes. Similarly, the ending – though one might say genius in how it creates tension – can also be interpreted to fall into the trap frequented by several immensely original indie films. After spending a lot of time and effort in building and justifying the existence of the world on show, it’s struggling to tie up all the complexities of its own storyline. Where do you go after achieving your aim of explaining your existence? It seems “The Lobster” has not answer and just leaves it at that – literally. Whether that is a bout of genius or just plain lazy, is up for you to decide.



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